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Matteo Paulini’s ‘Avec Moi’ Project Redefines What EDM Can Be

The Industry Times Staff by The Industry Times Staff
2 months ago
in Entertainment, Music
Reading Time: 4 mins read
Avec Moi

Avec Moi

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Ten years ago, Matteo Paulini was just another aspiring producer learning from local musicians in his corner of Italy. Today, his project Avec Moi has carved out something entirely different in electronic dance music—a sound that marries pulsing EDM beats with the sultry charm of French female vocals, creating what he calls “a homage to France’s vintage culture.”

The 38-year-old producer didn’t stumble into this fusion by accident. Growing up on Italy’s coast, Matteo Paulini was surrounded by the Mediterranean’s natural rhythms—waves crashing, market chatter, street musicians weaving melodies through narrow alleys. But it wasn’t until he discovered electronic music at sixteen, at a beach rave under starlit skies, that everything clicked.

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“It’s been about ten years since I really started creating music,” Paulini reflects. “I was lucky to have some incredible local musicians and producers who took me under their wing and showed me the ropes.” What he’s modest about mentioning is how that decade of learning culminated in something genuinely unique.

The name Avec Moi—French for “with me”—perfectly captures the intimate invitation his music extends. It’s not just dance music you move to; it’s music that moves through you. Ask Paulini to describe his sound to newcomers, and he’ll say, “Well, it’s electronic dance music at its core, but I pull from so many different subgenres. What really makes it special though are these incredible French female vocalists—it’s my way of paying tribute to France’s vintage culture.”

What really sets Avec Moi apart is Matteo Paulini’s deliberate choice to feature French female vocalists, creating tracks that feel like whispered secrets over hypnotic beats. The combination isn’t random—it stems from his deep appreciation for artists like Alizée Jacotey and classic French pop songs that shaped his musical worldview.

“I want people to feel something real when they hear my music,” Paulini says when asked what he hopes listeners experience. “Maybe it’s something sensual, maybe it’s that innocent rush of new love, sometimes it’s playful, sometimes dramatic. Honestly, even melancholy has its place. Music should touch all those emotions.” It’s an ambitious emotional range, but one listen to Avec Moi’s releases confirms he’s hitting those marks.

Currently, the project has three songs available across streaming platforms, though fans shouldn’t expect a full album anytime soon. “We’re not rushing into an album,” Paulini notes. “Right now we have three solid tracks out there, and I’d rather focus on getting each release exactly right.” For now, he’s focused entirely on this singular vision. “Avec Moi is everything to me right now,” he explains. “I could spread myself thin working on multiple projects, but this deserves my complete attention.”

The creative process behind Avec Moi reflects Paulini’s meticulous approach to emotional storytelling through sound. He often starts with a single feeling—nostalgia, new romance, quiet solitude—then builds entire worlds around it. His studio, far from the modest setup where he first experimented, now houses analog synths, vintage microphones, and carefully calibrated mood lighting that shifts with each track’s emotional temperature. It’s the kind of workspace that feels more like an artist’s sanctuary than a typical production facility.

Matteo Paulini describes his method as “kind of like painting, but with sound instead of colors,” and it’s an apt metaphor. His tracks don’t just layer beats and melodies; they create atmosphere. The slow builds, cascading arpeggios, and those distinctly French vocal deliveries combine to make something that feels almost tactile. You don’t just hear Avec Moi—you feel it.

This sensuality has found audiences worldwide. From underground Ibiza clubs to Miami festival stages, Paulini’s sets create shared experiences that go beyond typical dance floor encounters. People aren’t just moving to the music; they’re being moved by it.

Despite growing recognition, Matteo remains refreshingly grounded. He’s more interested in discussing chord progressions than personal accolades, more focused on the craft than the spotlight. “Look, I’m not doing this for fame or anything like that,” he’s said in past interviews. “I make music because something inside me has to—it’s literally how I process and understand everything around me.”

That authenticity extends beyond his music. Paulini mentors emerging producers, shares production insights on social media, and advocates for sustainable practices in the music industry. For him, music carries responsibility—it’s a way to connect, inspire, and create positive change. What’s striking about his approach is how he’s managed to stay true to his artistic vision while building something commercially viable—no small feat in today’s fractured music industry.

Looking ahead, Paulini hints at collaborations with visual artists to create immersive live experiences, potentially blending music with projections and interactive elements. There’s also talk of an Avec Moi concept album exploring love’s various stages through sound.

His message to potential listeners is characteristically direct: “Just let yourself get completely lost in it. That’s what Avec Moi is about—those sensual feelings that take you somewhere else entirely.” It’s an invitation that perfectly encapsulates what makes this project special—music that doesn’t just entertain but envelops, doesn’t just play but pulls you into its world.

At 38, Matteo Paulini has spent a decade learning his craft and perfecting his vision. Through Avec Moi, he’s created something rare in today’s oversaturated music world: a sound that’s unmistakably his own, where French vocals dance over electronic beats and sensuality meets soul. The fact that he’s done this with just three released tracks makes his achievement even more remarkable.


Follow Avec Moi on YouTube, Instagram, Facebook, and X.

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