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DXWAVE Makes Waves in South Korean Electronic Scene

The Industry Times Staff by The Industry Times Staff
12 months ago
in Entertainment, Music
Reading Time: 3 mins read
DXWAVE

DXWAVE

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South Korea’s electronic music scene has birthed a musical chameleon in DXWAVE, an artist effortlessly mixing old-school vibes with cutting-edge production. Born in the spring of 1980 (April 25th, to be exact), this DJ, producer, and all-around music enthusiast has carved out a unique space for themselves in the industry. Their philosophy? “Music is the ultimate time machine, connecting past and present.”

The name DXWAVE? It’s not just a random collection of letters. It’s actually a pretty clever mashup of “Digital Transformation (DX)” and “WAV” – a nod to both sound waves and the audio file format that’s bread and butter for loop-loving producers. It’s like a little audio engineer joke wrapped in an artist name.

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DXWAVE’s journey is a bit like a musical road trip. They started out strumming guitars, channeling the spirits of rock gods like Jimi Hendrix and Jeff Beck. But in 2020, everything changed. Suddenly, the siren call of house music legends like Daft Punk, Avicii, and Martin Garrix became too strong to ignore. And just like that, our guitar hero transformed into an electronic music wizard.

When DXWAVE talks about making music, it sounds almost like they’re describing a game of musical Tetris. “I grab a sample I like,” they explain, “and then it’s all about fitting other bits and pieces around it – tweaking pitches, adjusting tempos, until everything clicks into place.” This meticulous audio puzzle-solving has resulted in a musical buffet spanning genres from Synthwave to Jazzhop, with a healthy side of NuDisco.

Among DXWAVE’s greatest hits, you’ll find tracks like “Love You Baby” – which got its 15 minutes of fame on the show “EXchange” – and “Bad Romance,” a track that sounds like the 80s and today had a neon-colored baby. “Dance” brings the disco inferno, while “I Can’t Get Over” is basically EDM ear candy. And then there’s “Free Falling,” which feels like floating through space with your crush – if space was made of synths and funky house beats.

Growing up, DXWAVE was that kid with headphones permanently attached, soaking up the sounds of 80s and 90s American music like a sponge. This musical nostalgia cocktail is evident in their work, which somehow manages to sound both retro and cutting-edge at the same time.

But DXWAVE isn’t stuck in the past. They’re all about embracing the future, even using AI to create music videos. It’s like they’re saying, “Hey, if robots want to help make art, who am I to stop them?”

In the studio, DXWAVE is like a kid in a tech candy store, using fancy tools like Ableton Live and high-end audio gear that would make any sound engineer drool. But it’s not all about the flashy equipment – there’s a real emphasis on capturing that warm, analog feel, even in the digital realm.

Right now, DXWAVE is cooking up a Lo-Fi album that’s basically musical NyQuil – in a good way. Think gentle piano and ambient sounds designed to lull you into the sweetest of dreams. At the same time, they’re dropping singles like hot beats, keeping up with the music industry’s breakneck pace.

If you’re in Korea later this year, you might catch DXWAVE turning house clubs upside down from late November onwards. It’s your chance to experience those dynamic rhythms and retro sounds in the flesh.

At the end of the day, DXWAVE is all about musical alchemy – turning classic songs into fresh, innovative tracks through the magic of sampling. It’s like they’re on a mission to prove that all art is connected, one beat at a time.

Curious about DXWAVE? Dive into their world by catching their latest tunes on YouTube, peeking behind the scenes on Instagram, joining conversations on Facebook, following their musings on Twitter, or exploring their official website for the full experience – you might just stumble upon your new favorite artist.

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This article contains branded content provided by a third party. The views expressed in this article are solely those of the content creator or sponsor and do not necessarily reflect the opinions or editorial stance of The Industry Times.

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