Carlos Fabre, the artist behind Bass Ready, has just released his sophomore album “Death Tattoo,” and it’s drawing attention across Texas and beyond.
Released on June 29th, this 11-track album runs 34 minutes. But don’t let the runtime fool you – Fabre packs more ideas into half an hour than most artists manage in a full-length LP. It’s a blend of metal, hip-hop, and electronic production that defies easy categorization.
“Man, I’d call it genre-less,” Fabre says when asked to describe his sound. “But if you’re twisting my arm, let’s say it’s metal hip-hop rap with a side of electronic mayhem.”
Fabre’s journey in music took a sharp turn about a year ago. He left electronic music behind to dive into the Bass Ready project. It wasn’t a return to his roots so much as a complete creative reset.
“Death Tattoo” brings it all together. The title track comes in heavy, while “Lexus Dreams II” is the kind of song built for driving with the windows down, regardless of what you’re actually driving.
Behind the scenes, Fabre handles everything himself. Armed with an Ableton Production degree from RRF College and his own professional studio (Bass Ready Productions), he creates and produces entirely on his own.
“I just hope people get hyped, you know?” Fabre says. “Maybe they’ll come see me live, maybe they’ll start mashing up genres themselves. Hell, maybe they’ll just crank it up and piss off their neighbors. It’s all good.”
This DIY approach isn’t new for independent artists, but Fabre’s commitment runs deep. He’s not just making music; he’s building his own creative space in Texas.
Local scene veteran and frequent Austin performer Eddie Smith has taken notice. “Bass Ready’s stuff is wild, man. It’s like he’s taken every genre, thrown it in a blender, and somehow it comes out really unique. It shouldn’t work, but it does.”
Fabre’s influences are all over the map. One minute he’s referencing Slaughter to Prevail, the next he’s talking about Lil Peep. It’s this wide-ranging taste that fuels his genre-crossing sound.
Looking ahead, Fabre has specific plans for his album release. “I’m hitting up tattoo shops to host shows,” he says. “Imagine getting inked while ‘Death Tattoo’ blasts in the background. That’s the vibe I’m after.”
As streaming continues to reshape how music is made and consumed, artists like Fabre are experimenting with new approaches. They’re creating projects that push against traditional boundaries, testing what audiences will embrace.
Will Bass Ready break through? Hard to say. The music industry is unpredictable. But right now, Carlos Fabre is focused on experimenting, pushing his sound forward, and making work that matters to him.
For those willing to take a chance, “Death Tattoo” offers something different. It’s not for everyone. But if you’re open to having your expectations challenged, Bass Ready delivers.
So turn up the volume and see what happens. Bass Ready is making music on his own terms, and that’s exactly what makes it worth checking out.
